Dynamic frequency hopping.
FLOW automatically finds and holds clean channels as RF conditions change through the show.

FLOW provides a multi-link wireless video system for stadiums, concerts, outdoor shows and TV stages with high channel density and limited spectrum availability.
FLOW supports large wireless camera deployments in RF-dense venues, with coordinated channel management, low latency and compatible transmission distances across the range.
FLOW automatically finds and holds clean channels as RF conditions change through the show.
Output power adapts to the link, reducing interference with other wireless devices sharing the venue.
Mix FLOW transmitters and receivers by required receiving distance, from close monitoring to 2 km routes.
32 ms stable latency for director monitoring, live switching and follow-focus workflows.
Coverage across the FLOW range, from 150 m close monitoring to 2 km long-distance production routes.
These environments combine multiple camera positions, production monitoring and a dense mix of wireless systems. FLOW is designed for stable multi-channel operation in that context.

Seamless coordination across multiple roles without signal conflict.

Stay stable even when the spectrum is crowded.

Capture every moment without delay or drop.
These two deployments show how FLOW2000 was configured for simultaneous wireless camera feeds in outdoor and studio-based productions.

The production needed 13 wireless camera channels for an outdoor flash-mob performance shoot. Regular 5 GHz wireless video systems could not provide enough interference-free pairs in the same location.
FLOW2000 gave the crew a working multi-camera wireless plan: transmitters around the stage, receivers at the director position, and all camera feeds delivered at once.



For a talk-show variety program, the team needed 16 wireless camera channels so camera positions could stay flexible without building a heavy cable plan across the studio.
FLOW2000 transmitters were mounted on each camera, with receivers installed on the back wall. The full set of 16 channels reached the director monitor together.




The deployments demonstrate coordinated channel operation, stable monitoring and flexible camera placement across distinct production conditions.
When a production needs 13 or 16 camera links, the wireless system becomes part of the whole production design.
Stadiums, stages and TV sets are already crowded with wireless devices. FLOW is built for that reality.
Crews can select the required receiving distance while keeping the same FLOW transmission ecosystem.
The current FLOW range provides 150 m, 600 m and 2 km receiving distances. Select the model according to the required production route.

Close-range monitoring for director, focus puller, drone and steadicam work.

Field-proven range for the 13-pair and 16-pair production cases.

Long-distance panel receiver for large event routes and venue-scale monitoring.