SWIT FLOW Wireless Series | Multi-camera wireless production cases
Stadium production environment with many wireless camera links

Transmit 22 camera signals in one venue.

FLOW provides a multi-link wireless video system for stadiums, concerts, outdoor shows and TV stages with high channel density and limited spectrum availability.

22Simultaneous pairs
32 msStable latency
2 kmLongest distance
5.1-5.9GHz wireless platform

Reliable multi-channel wireless video for live production.

FLOW supports large wireless camera deployments in RF-dense venues, with coordinated channel management, low latency and compatible transmission distances across the range.

Dynamic frequency hopping.

FLOW automatically finds and holds clean channels as RF conditions change through the show.

01

Smart power control.

Output power adapts to the link, reducing interference with other wireless devices sharing the venue.

02

Cross-series interoperability.

Mix FLOW transmitters and receivers by required receiving distance, from close monitoring to 2 km routes.

03

Low-latency transmission.

32 ms stable latency for director monitoring, live switching and follow-focus workflows.

04

Up to 2 km signal coverage.

Coverage across the FLOW range, from 150 m close monitoring to 2 km long-distance production routes.

2km

Theatre, concerts and stadium productions.

These environments combine multiple camera positions, production monitoring and a dense mix of wireless systems. FLOW is designed for stable multi-channel operation in that context.

Opera performance being recorded in a theatre with dark audience seating and multiple camera positions

Theatre production

  • Multi-camera stage coverage
  • Director and backstage monitoring
  • Long-duration stability

Seamless coordination across multiple roles without signal conflict.

Camera operator filming a live concert under colorful stage lighting

Live stage and concert

  • High RF density environment
  • Lighting, audio and wireless coexistence
  • Reliable signal under pressure

Stay stable even when the spectrum is crowded.

Wide stadium view of a live football match with broadcast cameras along the field

Sports broadcasting

  • Multi-angle live capture
  • Real-time transmission
  • Broadcast-grade reliability

Capture every moment without delay or drop.

Multi-camera FLOW deployments in live production.

These two deployments show how FLOW2000 was configured for simultaneous wireless camera feeds in outdoor and studio-based productions.

Thirteen SWIT FLOW wireless transmitters used for an outdoor flash-mob production in Shanghai
Case 01Shanghai outdoor flash-mob

13 cameras needed to move freely in one outdoor venue.

The production needed 13 wireless camera channels for an outdoor flash-mob performance shoot. Regular 5 GHz wireless video systems could not provide enough interference-free pairs in the same location.

FLOW2000 gave the crew a working multi-camera wireless plan: transmitters around the stage, receivers at the director position, and all camera feeds delivered at once.

13 pairsRequired wireless links
80 x 20 mOutdoor stage area
Flash-mobProduction type
Read the official case
Complete camera setup diagram for the 13-pair Shanghai case
Case 01 diagram: 13 transmitters around an 80 x 20 m stage, with 13 receivers feeding the director position.
Case 02Hunan TV variety production

16 camera feeds had to reach the director monitor simultaneously.

For a talk-show variety program, the team needed 16 wireless camera channels so camera positions could stay flexible without building a heavy cable plan across the studio.

FLOW2000 transmitters were mounted on each camera, with receivers installed on the back wall. The full set of 16 channels reached the director monitor together.

16 pairsRequired wireless links
50 x 40 mStudio stage layout
Talk-showProduction type
Read the official case
FLOW receivers installed across the back wall for the Hunan TV variety production
Complete camera setup diagram for the 16-pair Hunan TV case
Case 02 diagram: 16 transmitters across a 50 x 40 m TV stage layout, with 16 receivers installed near the director position.

Up to 22 simultaneous wireless links for live production.

The deployments demonstrate coordinated channel operation, stable monitoring and flexible camera placement across distinct production conditions.

Channel count changes the plan.

When a production needs 13 or 16 camera links, the wireless system becomes part of the whole production design.

Dense RF spaces need smarter behavior.

Stadiums, stages and TV sets are already crowded with wireless devices. FLOW is built for that reality.

One ecosystem covers different ranges.

Crews can select the required receiving distance while keeping the same FLOW transmission ecosystem.

FLOW wireless video systems.

The current FLOW range provides 150 m, 600 m and 2 km receiving distances. Select the model according to the required production route.

SWIT FLOW500 transmitter and receiver on official white background
500 ft / 150 m

FLOW500

Close-range monitoring for director, focus puller, drone and steadicam work.

RoleCompact monitoring
I/O3G/HD-SDI + HDMI
Latency32 ms stable
Product details
SWIT FLOW2000 transmitter and receiver on official white background
2000 ft / 600 m

FLOW2000

Field-proven range for the 13-pair and 16-pair production cases.

RoleEvent and studio scale
I/O3G/HD-SDI + HDMI
Latency32 ms stable
Product details
SWIT FLOW6500 high-gain panel receiver and transmitter on official white background
6500 ft / 2 km

FLOW6500

Long-distance panel receiver for large event routes and venue-scale monitoring.

RoleLarge venues
I/OSDI + HDMI input
Latency32 ms stable
Product details